“The other samples were good,” says Goodwin. (After three years of working together, the two have never met in person, although they talk on the phone in their collaboration.) Goodwin chose Burr to illustrate the work after an agent that both men employ put them in touch with each other, albeit by long distance. A blurb from Guinnane now adorns the back cover of the book, calling Economix “a lively, cheerfully opinionated romp.” “He gave it a really close read,” Goodwin says, and helped him correct some errors. Most never replied, a few declined, and one – Yale University’s Timothy Guinnane, an economic historian, agreed to take it on. He emailed a raft of economists at major universities asking them to review a draft. “I did not know for a very long time whether I was just writing my own sequel to the Unabomber Manifesto,” he admits. Goodwin isn’t an economist, and he was very conscious of his limitations while working on the project. You have to think in images and write tightly.” “There’s a very strict discipline in comics. Writing in comic form “also kept me from going on for 20 volumes,” Goodwin adds.
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The only one I take off the shelves regularly and leaf through is Maus” – Art Spiegelman’s tour de force recounting his father’s experience of the horrors of Hitler’s Germany, with the Jews depicted as mice and the Nazis as cats. I have maybe half-a-dozen Holocaust memoirs. “My bookshelves are full of history books. “I retain information better when it’s presented in comic form,” Goodwin says. Growing up with National Lampoon cartoonist Rick Meyerowitz for a stepfather, “comics were taken seriously in the household.”Īnd for him, there’s nothing like a comic to communicate. “Michael Goodwin hasn’t just written a great graphic novel – he’s written one that should be required for every school, newsroom and library in the United States.”īut why write it as a comic? Goodwin has long been a fan of the genre. Andrew Smith, reviewing it for Scripps-Howard News Service, writes: ( Full disclosure: Burr is a personal acquaintance whom I have known and been friendly with for more than two decades.)īoth Burr’s pictures and Goodwin’s writing have already helped Economix garner extensive praise – in Wired, Publisher’s Weekly, Mother Jones and other publications. Abrams).Įconomix is illustrated by award-winning Milwaukee artist Dan E.
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Instead, it’s a 304-page comic book: Economix: How Our Economy Works (And Doesn’t Work) in Words and Pictures (Harry N. What Goodwin, based in New York City, produced isn’t a standard textbook or even a variation on Economics for Dummies. Eventually I did enough research to where I realized I could write it myself.”
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“I was looking for a book that gave an easy-to-read overview, and I couldn’t find it. “I was a history nut, and I got frustrated because a lot of the history I read kept coming back to economic patterns, and I didn’t understand them,” says Goodwin. Writer Michael Goodwin wanted a basic primer on economics – something that would explain the discipline in ordinary language.